The director reveals it wasn't magic that pulled it together, but rather jazz hands. A very different kind of Harry Potter spell.
The Big Picture David Yates has seven Wizarding World films on his CV at this point, but he's opened up on one in particular which he felt was the most challenging and rewarding to put on screen via the magic of editing and post-production. Yates took over the Harry Potter franchise in its fifth iteration, Order of the Phoenix, before seeing it through to its conclusion, and then following it up with work on the Fantastic Beasts saga.
The film was also a tough one to make because, as part one of a double-hander, the film had no natural end point, nor did it have a third act of which to speak within the body of the novel upon which it was based.
Magic Wands and Jazz Hands Yates expanded on what he felt made the movie special, as more of a character piece than the usual three-act structure set within the walls of Hogwarts, which would see a setup, a challenge, and then a payoff all within the year of school, which worked neatly within novels. In order to counter that, certain elements of the plot were retooled within the edit, in order to make it seem as if more was actually happening at the climax of the film than was actually visible.
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